The first season of American Gods ends with an image that compacts the many themes of the series into one, odd moment.
It’s an aerial shot, slowly revealing a line of cars, buggies, and other vehicles crowding the tiny road to a neglected Wisconsin tourist trap called The House on the Rock. Without giving you any spoilers, I can say that this scene captures American Gods‘ perspective on religious faith in America.
(And now, with a generous dose of spoilers, I will tell you what I mean by that.)
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